Analog portraits in late-day sunlight. Shot in Downtown St. Petersburg, FL on Fujifilm Super 200. Scanned on a Kodak Pakon F135+Read More
How to Save a Roll of 35mm that's broken in the Camera.
This will be the first part in an ongoing series on how to overcome the many difficulties accident prone, non-detail oriented people like myself have when first getting into shooting film. Who knows, this could help you even if you're a more methodical person.
Accidents do happen, after all!
So I've been there. You think you have a 36 frame roll of film in the camera, and surprise! it was only a 24 frame roll! Turns out frame 26 didn't exist, and you hear the sickening snap of the emulsion tearing in two. Not to fear! This is fixable!
A few things you're going to need to get your precious photos back in the canister:
- A film changing bag or a dark room & a completely opaque bag (when this happened to me, I didn't have a changing bag, so I used a backpack in a dark room).
- A bottle opener
- Acetate Tape (Scotch Tape)
So here's how this works:
*Go ahead and read through all the directions before you fumble around in the dark to do this*
First, put the whole camera into the changing bag, along with the bottle opener, scissors, and tape.
Second, open the back of the camera, and take out the canister. Pop the lid off of the canister with the bottle opener.
(Be careful to now bend the soft metal! It'll be a huge pain to get back on otherwise!)
Third, pull the spool out of the canister. Carefully feel around for the break. (Try to just hold it by the sprocket holes, don't want to ruin any exposed frames!)
Fourth, go ahead and cut straight across the film on both sides of the break so you have a nice, even place to tape it back together.
Next of course, you'll go ahead and take a small piece of tape and connect the two sides. Just make sure it goes on evenly and doesn't hang out over the edge of the film.
*Alternatively, if you don't feel a break, the film might've come off from the tape on the spool.
If that's the case, wrap a piece of tape around the spool post, sticking it to both ends of the film.*
*So I didn't follow my own advice in the photos. Whoops*
Finally, slip the spool back into the canister. (It might take a few tries to get the film in through the little felt lined slot, but be patient and you'll get there.) Pop the lid back into the canister, feeling around the edges to make sure its on uniformly, then just slip it back into the camera.
Go ahead push the rewind knob back into place and give it a few turns to make sure the tape holds.
Once you've done all that successfully, close the back up, and rewind the roll back into the canister....congratulations! You've fixed your mistake!
Go forth and conquer, you brave film photographer.
From a little mini-shoot with Jake & Katie Ford, a wedding photographer duo who I finally had the chance to spend some time with. Our excuse was testing out my (new to me) Pentax 67, which I shot with Kodak Tri-X film. So lovely to goof off and talk photo-philosophy!
After many days of activity, this day of unwinding was thoroughly welcome.
Cold showers & 30's jazz & a blessedly present breeze soothed my mind into quiet reflection.
I found myself in Hyderabad once more, in an apartment high enough up in the hills to catch a little of the breeze that proved so elusive in the lowlands.
The neighborhood was one of the wealthiest in Hyderabad...which is to say that four story palaces found themselves competing with tiny, tarp-roofed shacks & apartment buildings for supremacy.
Midday came with North Indian style Thali shared with my incredible host Sean at a nice place in the neighborhood...and even finished off the meal with a milkshake! ....Or....well...a scoop of ice cream in some milk. Basically the same thing I suppose.
With rather more food than I was accustomed to in my belly, we headed out for an afternoon of right proper tourism at the seven tombs of the Mughal Dynasty that once ruled Hyderabad....
Along the way I befriended a really sweet family that timidly came up and asked for a photo...after a quick snap and a bit of conversation, we went our separate ways. It's a shame though, they seem to have forgotten to write me about it...
Shortly after two rambunctious middle-schoolers proceeded to do the same thing, but with much less veiled enthusiasm!
I went back up into Sean's neighborhood for the latter half of the afternoon,
ending up wandering until dusk; making portraits and taking pleasure in the simple act of moving.
Woke with a pounding head that beat in time with the pulse of the city beyond. Quiet until afternoon, then we were off to the huge primary school the kids from the Ongole children's home attend, led by Sean, an affable natured, pale blue-eyed guy from California who runs CCH, a much larger children's home organization that Orphans First partners with. Naturally, our arrival caused sheer chaos at the school.... I think I shook hands with and heard the names of well over 100 kids, all eager to try out what they'd learned in their English lessons.
I made my way through the open air classrooms, trying as hard as I could to remain discreet, and predictably failed utterly. The teachers kept admirable control over the kids with nary a raised voice, but classes still tended to grind to a halt whenever I walked by. After quite a bit of improvised communication primarily composed of halting words and hand gestures, I managed to get a few of the classes to ignore me as best they could....though one teacher just decided to let the kids have a photo-op instead.
Shortly after all the Ongole children's home kids had been met, we drove back to home where the children lived to await their return once classes ended. The Ongole home was in a quiet little village perhaps an hour outside of the city proper, tended by a young couple with children of their own.
Dusk turned into full dark as we made our goodbyes, sipping on gifted coconuts and sprite.
Enough adventure had been had for one hazy-headed day, so we made our way back to the noise and crowds of Ongole to flop into beds for the last time before the return to Hyderabad...
- To be continued -
Rose with the dawn for a drive through the countryside to the tiny town of Markapur, where we would spend the day with the kids of the second Orphans First home in India.
We arrived to see another group of incredibly excited young boys and girls who took to having their photos taken quicker than I could have believed.
As the afternoon began to cool, we said our goodbyes and turned back to the road, driving another few hours to the dusty mining town of Ongole. The road from Markapur to Ongole dwindled down to a single lane as it rolled through the most deserted stretch of countryside I had yet to see in India. Kilometer after kilometer passed by; a blur of lonely mountains, and stunted trees.
Slowly, signs of humanity blended back into the landscape; straight rows of tobacco with nary a soul tending to them. It was in one such field that I saw, almost out of nowhere, a herd of goats being shepherded along by a small group of men in white. Of course, I had to stop and meet these men to worked in isolation in a land where even such a word must seem foreign.
This group of shepherds still kept to the old ways, guiding their flocks as their fathers once did. We communicated in a language of smiles and gestures...and if there's one thing I regret, it's that I couldn't give them a print!
The kilometers wore on by, and the land changed drastically with the dusk. We passed a land of granite & marble quarries; hellish places where lonely headlamps shone into the grey in a never ending storm of dust and smog. The road soon wound through rough and tumble towns that sprung up around the fringes of the quarries....a mire of seedy looking buildings catering to men made hard by necessity.
By full dark we had reached the town of Ongole, spending our last night with our splendid hosts conversing our way through a lovely meal. It was days like these that I'll remember the most from India...
A Tribute to the City that never seems to sleepRead More